Jamian Juliano-Villani | Mike Kelley
West Barn
September 10-October 5, 2022
![](https://cdn.sanity.io/images/15568p5q/production/3fbd80bad516307ae85f0e5a892318a23bf4ec2b-4259x2953.jpg?auto=format)
Jamian Juliano-Villani, Bolero Boys, 2022. Oil on canvas 48 x 72 ”(121.9 x 182.9 cm)
![](https://cdn.sanity.io/images/15568p5q/production/bb8d98376a8d1606a22cd8fffb03df7d47d8ffda-1724x1425.jpg?auto=format)
Mike Kelley, Carpet #2, 2003. Acrylic on carpet, mounted on wood panel 40.2 x 49 x 4 ”(101.9 x 124.5 x 10.2 cm)
![](https://cdn.sanity.io/images/15568p5q/production/f70367d108d645eac85c6d822c83ce27a0d3ebd8-3421x2287.jpg?auto=format)
Jamian Juliano-Villani, B is for Bentwood, 2022. Oil on canvas 72 x 108 ”(182.9 x 274.3 cm)
![](https://cdn.sanity.io/images/15568p5q/production/be382286736a3404d00b991da5c540c4ba3b7ed6-5808x3872.jpg?auto=format)
Jamian Juliano-Villani, B is for Bentwood, 2022. Oil on canvas 72 x 108 ”(182.9 x 274.3 cm)
![](https://cdn.sanity.io/images/15568p5q/production/4b11f510794735c16fa250c72ac431db0837873a-4500x3036.jpg?auto=format)
Jamian Juliano-Villani, Running of the bulls #1, 2022. Oil on canvas 77 x 53 ” (195.6 x 134.6 cm)
![](https://cdn.sanity.io/images/15568p5q/production/186a933953c574d9d6fd9150e0e8871e86cdfeb3-5742x3828.jpg?auto=format)
Jamian Juliano-Villani, Historical Editing, 2022. Oil on canvas 60 x 48 ”(152.4 x 121.9 cm)
![](https://cdn.sanity.io/images/15568p5q/production/399035b0d2cdd3bdae7c8807c508c1fff94291f4-4659x3105.jpg?auto=format)
Mike Kelley, Unitled (Christian Drama/Thursday Night), 1993. Felt banner 94 x 144 ”(238.8 x 365.5 cm)
![](https://cdn.sanity.io/images/15568p5q/production/3b68c2ecd64ccf4083a5981f8419b30dbe039b16-561x1234.jpg?auto=format)
Mike Kelley, Extracurricular Activity Projection Reconstruction # 30 (Pitchfork Maeurvers), 2005. Piezo print on rag paper and chromogenic print 60 x 40” (152.4 x 101.6 cm)
![](https://cdn.sanity.io/images/15568p5q/production/2fc07312f14048f10373a5354a6faf6e71e65692-5657x3328.jpg?auto=format)
Jamian Juliano-Villani, Billy Joel Volumes I & II, 2022. Inkjet on acrylic, motor, custom mount 46.5 ”Diameter (118.1 cm)
![](https://cdn.sanity.io/images/15568p5q/production/7262455cccb48b48841c6ba45e8917239c27dd8a-5210x3509.jpg?auto=format)
Jamian Juliano-Villani, Billy Joel Volumes I & II, 2022. Inkjet on acrylic, motor, custom mount 46.5 ”Diameter (118.1 cm)
![](https://cdn.sanity.io/images/15568p5q/production/ac021642bdb9671c19b2b454ce6d1c8008a488e4-5067x3556.jpg?auto=format)
Jamian Juliano-Villani, The End (group #1), 2022. Acrylic on canvas 20 x 16 ”(50.8 x 40.6 cm) 5 separate canvases
![](https://cdn.sanity.io/images/15568p5q/production/ea7e3e28dcd4049c4c34d0eb0530c8c78b4e1bd0-1213x2616.jpg?auto=format)
Mike Kelley, Extracurricular Activity Projective Reconstruction #17 (Hearthrob Split), 2004. Piezo print on rag paper and chromogenic print 60 x 40 ”(152.4 x 101.6 cm)
![](https://cdn.sanity.io/images/15568p5q/production/87e7f242fb9e49840a4d3e400a52620317d96d64-2027x2593.jpg?auto=format)
Mike Kelley, Satanic/Pagan Indoctrination, 1995. Collage on paper. 14 x 11”( 35.6 x 27.9 cm)
![](https://cdn.sanity.io/images/15568p5q/production/cfd7f6ece4e5a4db216b834f337c7a8d6efa1875-4677x3430.jpg?auto=format)
Jamian Juliano-Villani, A fucking lice killing machine, 2022. Oil on canvas 62 x 91 ”(157.5 x 231.1)